On my show this month:
Leo's show this month is a long, slanted walk through systems that hum, fracture, heal, and occasionally combust. We open in a kind of uneasy calibration mode: Prewn's "System" and Prolapse's Faust-remixed "Ectoplasm Untied" set the tone for a set where structure is constantly tested, bent, and reassembled. From there, Headache & Vegyn's hyper-clarity rubs up against the woozy playfulness of Voka Gentle (via Goat Girl), before Lord Of The Isles' "Astraglossa" pulls us into deeper, tidal territory.

There's a strong emotional undercurrent running through the show, but it never settles. Just Mustard's blurred-out intensity, Vanessa Amara's slow-motion shimmer, and the strange folk echoes of Buppah Saichol and Lisa O'Neill all gesture towards feeling without ever pinning it down. Elsewhere, club logic keeps mutating: Clark, Powell, Avalon Emerson, Martinou and Bicep offer propulsion in very different dialects, while Jamie xx's remix for Robyn reframes dopamine as something anxious and slightly feral.

Collaboration and collision are key motifs. Surusinghe meets Cameo Blush via gyrofield, Rachika Nayar and The Field braid textures, and Pain Magazine's brutalist catharsis sits unexpectedly close to the hushed intimacy of King Creosote live or Emma Pollock's rush of red. There's humour too, often dark or sideways: IDLES via Interpol, People Like Us' skewed archival mischief, and Nakano Rhythm Boys' voice-as-instrument oddity.

As the show unfolds, genres dissolve into each other - ambient into dub, folk into techno, pop into noise - until the distinctions feel irrelevant. What remains is motion, curiosity, and a sense of listening as an active, communal act. No neat ending, no final answer - just a shared drift through sound, heading for the moon but happy to get lost on the way.

On the show NEXT month:
Leo's show this month moves like a fault line: slow pressure, sudden slips, strange beauty in the breaks. It opens in a hush and a hum - Prewn's Cavity and Prolapse's Swearing For Decoration sketch a world where language frays and rhythm becomes ritual - before drifting into electronic naturalism and nocturnal pulse via Dominik Eulberg, Lord Of The Isles and Clark.
From there, the programme leans hard into voices: confrontational, devotional, folk-warped, and uncomfortably intimate. R/A/D with Brisa Roché and Don Nino bring sun-faded unease; Pain Magazine and collaborators push post-metal intensity into emotional freefall; Leila and Daniel Knox deal in menace and restraint. Traditional forms are bent and re-rooted by Elspeth Anne, Colleen, Jaydawn & Wukir Suryadi, and Lisa Knapp & Gerry Diver, where old songs carry new ghosts.
Midway, things turn raw and wired: Daniel Avery's remix work, PVA's precision pop, Ancient Hostility's blunt-force realism, and Eveline Breaker's restless structures all speak to systems under strain. There's room too for sardonic bite and ecstatic noise - Sleaford Mods, Kim Gordon, Shackleton, The Fat White Family - each refusing comfort in their own way.
The final stretch opens outward: cosmic myth from Zu, uneasy tenderness from Sault, roving melancholia, collapsing architecture via Royal Commission, and dawn-light psychedelia from Sven Wunder. We end not with resolution, but with questions hanging in the air - Krista Papista's 2 THEES closing the loop on a set that listens closely to fractures, contradictions, and the fragile hope that leaks through them.

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